主持人:Stacey Rodda 盧廸思
Art inspired by music. Music inspired by art.
We know that artists can take emotions and atmospheres evoked by sound and interpret them into something visual, as can composers recreate with sound, images from a canvas or other form of visual art. The possibilities are endless… The Culture Show continues to make connections between these two art forms.
VIDEO PROMOTIONS ...
…connecting music to visual arts, literature, film and theatre while discovering the delights of these arts in different parts of the world
The Culture Show with Mr. Timo Kantola, Consul General of Finland in Hong Kong
The Culture Show with Mr. Timo Kantola, Consul General of Finland in Hong Kong
The Culture Show with Ms. Alice Fratarcangeli, Director of the Italian Cultural Institute in Hong Kong and Macau
The Culture Show wirh Ms.Klára Jurčová, Consul General of the Czech Republic in Hong Kong
In this episode, as we continue to explore symbiotic relationships between examples of visual art and classical music, we will hear a work written by Finnish composer Uljas Pulkkis inspired by Salvador Dalí - his extended orchestral triptych, Symphonic Dali (2002) and examine the art that inspired each movement.
As we continue to explore symbiotic relationships between examples of visual art and classical music – our final episode on Salvador Dali.
Dance is a motif often found in his painting, and we explore examples of his art where some form of dance is present - work created during the formative years of Dalí’s artistic journey, a period before he fully embraced Surrealism which falls within the realms of Post-Impressionism and Symbolism.
We view some of his ‘theatrical’ works including Broken Bridge and the Dream and Queen Salome along with those he created for The Seven Lively Arts, specifically those for music, opera and - ballet.
主持人:Stacey Rodda 盧廸思
In this episode of The Culture Show we look at Pablo Picasso and the Ballet (Part 2) and the artist's forays into set and costume design. We examine his contributions to Pulcinella, inspired by the aesthetics of 18th-century Italian folk and popular art and, his exploration of the surreal in Mercure, where Picasso's mobile scenery became part of the dance.