Two weeks ago, we examined the outburst of creativity that’s appeared in response to Hong Kong’s ongoing extradition bill protests. Streets, walls and public areas have become not only venues but also canvasses for protesters to put their political messages across. The works of artists Luke Ching and South Ho often reflect Hong Kong’s socio-political realities. Most of the pieces in “Liquefied Sunshine/Force Majeure”, a dual solo exhibition by Ching and Ho at the Blindspot Gallery, were completed before the current wave of turmoil hit the streets, but they nevertheless do seem to reflect what’s happening right now.
As a Renaissance man, Leonardo da Vinci is believed it was an individual’s goal to reach the fullest potential in life. For him, science and art weren’t opposites. He was a scientist, painter, architect, inventor, engineer, mathematician and artist. On show at the City University of Hong Kong Exhibition Gallery are 12 of Leonardo’s original drawings.
The drawings are accompanied by five machines modelled on Leonardo’s designs, and by works by a group of contemporary artists that reflect the master’s legacy.
Two weeks ago, we introduced an upcoming concert, “Now, 30” curated by pianist Wong Ka-jeng. He brought the trio Smash to our studio and played us a piece that fused Beethoven with the UK rock band, Queen. That concert is on 20th October at the Hong Kong Cultural Centre. It also includes a group of young musicians performing classical pieces and new works. Among them, are Raymond Vong and Emily Cheng, working as a percussion duo known as Re.MIX. They are here with us now.