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26/08/2026
A Tale of Two Cities
A Tale of Two Cities
In the 1950s and 1960s, Hong Kong’s tailoring trade was at its height, as many Hongbang tailors from Shanghai came to the city to make a living. It was in this era that Ascot Chang was founded, and it soon became one of the best-known names in bespoke menswear. For more than seventy years, the brand has remained rooted in Hong Kong. Even in an age of mechanised mass production, it has continued to keep its own workshop in the city, with every stage of the process carried out by hand. In every stitch, it preserves the care and discipline at the heart of traditional craftsmanship. Starting a business is one challenge; carrying it forward is another. From the late 1980s, Tony gradually assumed responsibility for his father’s business and, with quiet resolve, expanded its reach by opening shops on the mainland and overseas, bringing the craft of Hongbang tailoring to a broader stage. Seeing a growing break in Hong Kong’s tailoring trade in recent years, he chose to return to his hometown of Fenghua, Ningbo, to establish a factory. There, in the birthplace of Hongbang tailoring, he devoted years to training a new generation of craftspeople, helping to secure a new home for the craft’s continuation. As for Justin Chang, the third generation, he studied in the United States and later worked at the family’s New York shop, where he once met one of his grandfather’s old customers, who had brought along the next generation of his own family for a suit. That trust across generations touched Justin deeply and strengthened his resolve to carry the family business forward. After returning to Hong Kong more than a decade ago to assist Tony, he has continued to seek new ways to bring the craft to a wider audience, from filming Reels himself to collaborating with other menswear brands and helping organise the Hong Kong Suit Walk, Sartorial Asia 2025, with the hope of carrying this craft and its spirit forward. It is this spirit, first shaped by Ascot Chang’s courage in forging a life far from home and sustained by the generations that followed, that has deepened the family’s ties to home and country, while marking their place in Hong Kong’s own story of growth and change.

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28/08/2026
Backchat
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On this programme, we found out how the Chinese University of Hong Kong’s Faculty of Medicine successfully conducted the city's first robotic-assisted pelvic fracture surgery We then took a closer look at measures introduced by the Education Bureau that aim to attract more students and nurture talent in the science and mathematics fields. After the break, we discussed the recent death of Cambridge University's youngest black professor. A inquest has officially opened into the death of Jason Arday, a case involving accusations of plagiarism, and intense media scrutiny. And to wrap up the show, we chatted with an aviation expert about a new study which found that flight attendants and pilots were at the highest risk of dying from radiation-related cancers – more so than people who work with radioactive materials. How can they protect themselves? 9:05-9:15am –CUHK's first robot-assisted pelvic fracture reduction and fixation surgery Speaker: Ronald Wong, Clinical Associate Professor, Department of Orthopaedics and Traumatology, CU Medicine 9:15-9:30am – Curriculum change on STEM subject Speaker: Brian Yeung, Co-Founder of Brandstorm Communciation 9:32-9:46am –Cambridge professor found dead after scrutiny over academic record Speaker: Gerry Postiglione, Emeritus and Honorary Professor at the University of Hong Kong's Faculty of Education 9:46-10am – Study finds flight attendants and pilots at highest risk of terminal cancer Speaker: Steven Cheung, Chairman of the Hong Kong Professional Airline Pilots' Association.
30/08/2026
Sunday Opera 歌劇世界
Sunday Opera 歌劇世界
PONCHIELLI La Gioconda                                                               150’ Gioconda: Zinka Milanov (soprano) La Cieca: Belan Amparan (alto) Alvise Badoero: Plinio Clabassi (bass) Laura: Rosalind Elias (mezzo-soprano) Enzo Grimaldo: Giuseppe di Stefano (tenor) Barnaba: Leonard Warren (baritone) Coro e Orchestra dell’Accademica di Santa Cecilia, Roma / Fernado Previtali (conductor)   龐基耶利 《歌女焦空達》                                                          150’ 焦空達:米蘭諾夫(女高音) 拉切卡:安柏蘭(女低音) 巴度艾勞:奇拉巴斯(男低音) 勞拉:羅莎連.伊拉亞斯(女中音) 基姆爾度:狄史提芬奴(男高音) 班拿巴:華倫(男中音) 羅馬聖西西利亞學院樂團及合唱團 / 柏列韋他利(指揮) Acclaimed to be the only opera comparable to the mature masterpieces of Verdi, Ponchielli’s La Gioconda is a spectacular blockbuster that fuses together the extravagant French grand opera style with the passionate Italian melodrama tradition. It is a work full of brilliant scenic effect and enchanting memorable melodies. This magnificent opera presented in the Sunday Opera programme features soprano Zinka Milanov in the title role as La Gioconda. Tenor Giuseppe di Stefano as Enzo, a young Genoese sea captain. Mezzo-soprano Rosalind Elias as Enzo’s former betrothed. Bass Plinio Clabassi as councilor of Venice and baritone Leonard Warren as a spy. Orchestra e Coro dell’Accademica di Santa Cecilia di Roma performed under the barton of Fernado Previtali. 被譽為唯一可以與威爾第成熟歌劇大作媲美的《歌女焦空達》,是龐基耶利一部完熟的傑作。這部票房大賣的作品,融合了奢華的法國歌劇風格與充滿激情的意大利歌劇傳統;其璀璨的舞台效果和醉人的旋律,都是令作品大受歡迎的原因。

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