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19/08/2026
A Tale of Two Cities
A Tale of Two Cities
This is a story spanning more than seventy years. It unfolds between Shanghai and Hong Kong, while remaining closely tied to memories of the family’s hometown of Fenghua in Ningbo. In the early 1950s, following the liberation of Shanghai, many people brought their skills and capital to Hong Kong in search of new opportunities. Among them was 26-year-old Ascot Chang, who had learnt the craft of Hongbang tailoring in Shanghai. With only ten US dollars, he came to Hong Kong to make a living. There, he settled and founded Ascot Chang, a bespoke menswear shop known for its reliable quality, laying the foundation for a family legacy that would continue through the generations. In the late 1970s, as Ascot’s health began to fail, he asked his son Tony, who had just completed his university studies in the United States to return and help manage the business. Though Tony had known little about tailoring at the outset, he went on to devote more than four decades to the trade. Guided by his father’s exacting standards and commitment to craftsmanship, he followed closely in his footsteps. In the 1990s, as reform and opening up brought new opportunities to the mainland, Tony returned to Shanghai, where his father had learnt the craft, to open the family’s first shop there and bring the business to a wider market. At the same time, he carried on his father’s commitment to giving back to his hometown by donating funds for a new school building at a village primary school in Fenghua, Ningbo, his father’s birthplace. To bring the next generation closer to their roots, Tony arranged for his son Justin to teach English at a rural primary school in Fenghua during the summer. Through everyday contact with the local community, Justin came to appreciate more deeply what it means to return home. In recent years, Tony has also begun restoring the family graves, hoping to preserve a place where the family can gather when they return. In this way, the family’s bond reaches beyond Shanghai and Hong Kong, and continues in Fenghua as a lasting connection.

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24/08/2026
Concert on 4 四台音樂會
Concert on 4 四台音樂會
Berlin Philharmonic: Kirill Petrenko Conducts Wagner’s Das Rheingold Louise Foor, Mirjam Mesak (soprano) Catriona Morison, Yajie Zhang (mezzo-soprano) Jess Dandy, Jasmin White (alto) Thomas Atkins, Thomas Cillufo, Brenton Ryan (tenor) Christian Gerhaher, Gihoon Kim, Leigh Melrose (baritone) Le Bu (bass-baritone), Patrick Guetti (bass) Berlin Philharmonic Orchestra | Kirill Petrenko (conductor) WAGNER Das Rheingold (137’) Recorded at Philharmonie, Berlin on 10/4/2026 柏林愛樂:佩特連高指揮華格納萊茵河的黃金 富雅、梅莎克(女高音)|莫里森、張亞潔(女中音)|丹迪、懷特(女低音) 亞聖士、斯魯科、賴恩(男高音)|葛哈爾、金基勳、梅爾羅斯(男中音) 卜樂(低男中音)|基提(男低音) 柏林愛樂樂團|奇里爾.佩特連高(指揮) 華格納 《萊茵河的黃金》 (137’) 2026年4月10日柏林愛樂廳錄音 Only those who renounce love can harness the golden ring’s power. Das Rheingold, the opening of Richard Wagner’s monumental cycle Der Ring des Nibelungen, launches a dark tale of power and its abuse, love and intrigue. Wagner’s music depicts the dramatic action as vividly as it does the protagnoists’ inner conflicts. With a staged performance of Das Rheingold, the Berlin Philharmonic and Kirill Petrenko opened the Salzburg Easter Festival. Christian Gerhaher makes his role debut as Wotan, the troubled god in charge. 唯有棄絕愛意者,方能駕馭金環之無上力量。《萊茵河的黃金》乃華格納鉅作《尼伯龍的指環》之序章,揭開一段交織著濫權、愛恨與陰謀的暗黑史詩。華格納以極具戲劇張力的音樂,不僅細膩刻畫舞台上的情節發展,更深刻描繪人物內心的矛盾與掙扎。柏林愛樂在指揮奇里爾.佩特連高的帶領下,以舞台形式演出《萊茵河的黃金》,為薩爾斯堡復活節音樂節隆重揭幕。男中音葛哈爾首度飾演眾神之王胡坦,演繹這位身負重任而飽受內心衝突折磨的神祇。

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