主持人：Stacey Rodda 盧廸思
MAY 2025 FOCUS: FRANCE
VIDEO PROMOTIONS ...
…connecting music to visual arts, literature, film and theatre while discovering the delights of these arts in different parts of the world
NEW
FOCUS: FRANCE
The Culture Show with Mr. Benjamin Cabouat, Consul for Culture, Education and Science in HK and Macao
The Culture Show with Mr. Benjamin Cabouat, Consul for Culture, Education and Science in HK and Macao
The Culture Show with Mr. Benjamin Cabouat, Consul for Culture, Education and Science in HK and Macao
PREVIOUS
The Culture Show with Mr. Timo Kantola, Consul General of Finland in Hong Kong
The Culture Show with Mr. Timo Kantola, Consul General of Finland in Hong Kong
The Culture Show with Ms. Alice Fratarcangeli, Director of the Italian Cultural Institute in Hong Kong and Macau
The Culture Show wirh Ms.Klára Jurčová, Consul General of the Czech Republic in Hong Kong
Musicians in Paintings
We will look at an old guitarist in a painting of Picasso and a man with a violin by Georges Braque, who, by the way, are also connected.
As for rarely heard music on Radio 4 - the Picasso painting is complemented by a selection of Miguel Llobet’s Catalonian Folk Songs played by guitarist Lorenzo Gasparo, and Braque's work by one of his contemporaries, Ravel. Ravel’s music, particularly works like La Valse, shares structural parallels with the artist's Cubism through fragmentation, angularity, and the "re-assembly" of traditional musical forms. We will hear La Valse in an arrangement for piano trio.
主持人：Stacey Rodda 盧廸思
DEGAS AND DANCE
Degas represented dancers in almost all mediums. For him the moving figure was the most compelling challenge, and in dance he found his ideal subject. Degas also sought to capture fleeting moments in the flow of modern life, yet he showed little interest in painting plein-air landscapes, favoring scenes in theaters and other venues illuminated by artificial light.
Degas was personally interested in dance. He followed productions closely and critically, both at the Opéra and elsewhere yet, very few of his depictions of dance show an actual performance. Instead, the artist hovers behind the wings, backstage, in class, or at a rehearsal. We’ll find out why.
