Academy Cello Festival 2026: Academy Cello Soloists
Jia Nan, Lai Yik-ming, Charlotte Mak Yui-wan, Letty Poon, Pun Chak Yin, Ray Wang,
Juanita Wong, Xu Ting, Wincy Eunis Yeung, Michelle Zhang Qingmiao, Suri Zheng
Mohan, Jacqueline Zheung Churou (cello)
DVOŘÁK
Silent Woods, Op. 68, No. 5 (6’)
Rondo in G minor, Op. 94 (8’)
FAURÉ
Élégie, Op. 24 (7’)
TCHAIKOVSKY
Andante cantabile (8’)
David POPPER
Tarantella (6’)
Concert Polonaise (8’)
J. S. BACH
Arioso (4’)
BRUCH
Kol Nidrei, Op. 47 (11’)
Presented by The Hong Kong Academy for Performing Arts
Recorded at William Au Concert Hall, HKAPA on 22/4/2026
Recording provided by HKAPA
演藝學院大提琴音樂節2026:學院之聲——大提琴獨奏專場
賈楠、賴翊銘、麥睿韻、潘穎芝、潘澤然、王磊、王翹 ( 羽青 )、徐婷、楊詠如、Michelle Zhang Qingmiao、Suri Zheng Mohan、鄭楚柔(大提琴)
德伏扎克
《寂靜的森林》,作品68,第五首 (6’)
G小調迴旋曲,作品94 (8’)
佛瑞
《悲歌》,作品24 (7’)
柴可夫斯基
如歌的行板 (8’)
樸柏
塔朗泰拉舞曲 (6’)
音樂會波蘭舞曲 (8’)
J. S. 巴赫
詠敘調 (4’)
布魯赫
《希伯來禱歌》,作品47 (11’)
香港演藝學院主辦
2026年4月22日香港演藝學院區永熙音樂廳錄音
錄音由香港演藝學院提供
Berlin Philharmonic: Kirill Petrenko Conducts Wagner’s
Das Rheingold
Louise Foor, Mirjam Mesak (soprano)
Catriona Morison, Yajie Zhang (mezzo-soprano)
Jess Dandy, Jasmin White (alto)
Thomas Atkins, Thomas Cillufo, Brenton Ryan (tenor)
Christian Gerhaher, Gihoon Kim, Leigh Melrose (baritone)
Le Bu (bass-baritone), Patrick Guetti (bass)
Berlin Philharmonic Orchestra | Kirill Petrenko (conductor)
WAGNER
Das Rheingold (137’)
Recorded at Philharmonie, Berlin on 10/4/2026
柏林愛樂:佩特連高指揮華格納萊茵河的黃金
富雅、梅莎克(女高音)|莫里森、張亞潔(女中音)|丹迪、懷特(女低音)
亞聖士、斯魯科、賴恩(男高音)|葛哈爾、金基勳、梅爾羅斯(男中音)
卜樂(低男中音)|基提(男低音)
柏林愛樂樂團|奇里爾.佩特連高(指揮)
華格納
《萊茵河的黃金》 (137’)
2026年4月10日柏林愛樂廳錄音
Only those who renounce love can harness the golden ring’s power. Das Rheingold, the opening of Richard Wagner’s monumental cycle Der Ring des Nibelungen, launches a dark tale of power and its abuse, love and intrigue. Wagner’s music depicts the dramatic action as vividly as it does the protagnoists’ inner conflicts. With a staged performance of Das Rheingold, the Berlin Philharmonic and Kirill Petrenko opened the Salzburg Easter Festival. Christian Gerhaher makes his role debut as Wotan, the troubled god in charge.
唯有棄絕愛意者,方能駕馭金環之無上力量。《萊茵河的黃金》乃華格納鉅作《尼伯龍的指環》之序章,揭開一段交織著濫權、愛恨與陰謀的暗黑史詩。華格納以極具戲劇張力的音樂,不僅細膩刻畫舞台上的情節發展,更深刻描繪人物內心的矛盾與掙扎。柏林愛樂在指揮奇里爾.佩特連高的帶領下,以舞台形式演出《萊茵河的黃金》,為薩爾斯堡復活節音樂節隆重揭幕。男中音葛哈爾首度飾演眾神之王胡坦,演繹這位身負重任而飽受內心衝突折磨的神祇。
Andris Nelsons and Berlin Philharmonic:
Shostakovich 10
Jan Liebermann (organ) | Benjamin Beilman (violin)
Berlin Philharmonic Orchestra | Andris Nelsons (conductor)
DUPRÉ
Cortège et Litanie, Op. 19, No. 2 (6’)
DVOŘÁK
Violin Concerto in A minor, Op. 53 (32’)
SHOSTAKOVICH
Symphony No. 10 in E minor, Op. 93 (55’)
Recorded at Philharmonie, Berlin on 12/12/2025
尼遜斯與柏林愛樂樂團:蕭斯達高維契第十交響曲
利伯文(管風琴)|貝爾文(小提琴)
柏林愛樂樂團|尼遜斯(指揮)
杜佩
《儀仗與連禱》,作品19,第二首 (6’)
德伏扎克
A小調小提琴協奏曲,作品53 (32’)
蕭斯達高維契
E小調第十交響曲,作品93 (55’)
2025年12月12日柏林愛樂廳錄音
Dvořák’s Violin Concerto is sonorous and romantic, yet is also rhythmically charged. It’s an ideal work for Hilary Hahn, who finds equal nuance in emphatic and delicate moments. Andris Nelsons leads the orchestra on to an entirely different sound world in the second half with Shostakovich’s Tenth Symphony. The work is a ruthless reckoning with Stalin’s regime, marked by aggressive march rhythms, dissonant chords, and profound sorrow.
This concert also celebrates 60 years of the Philharmonic organ. Jan Liebermann plays Marcel Dupré’s enchanting Cortège et Litanie, Op. 19 No.2 to open the programme.
德伏扎克的《小提琴協奏曲》旋律優美動聽,富浪漫氣息,同時充滿強烈的節奏律動。此作由希拉莉.漢恩演繹最為合適不過,不論是激昂慷慨還是細緻委婉的樂段,她均能精準捕捉箇中的細微變化。在音樂會下半場,指揮尼遜斯將帶領樂團步入截然不同的音響世界,呈獻蕭斯達高維契的《第十交響曲》。這部作品是對史太林政權的回應,音樂中充斥著激進的進行曲節奏、不和諧的和弦,以及深沉的悲慟。
這場音樂會亦會慶祝柏林愛樂廳管風琴啟用六十週年,管風琴利伯文將率先登場,以杜佩迷人的《儀仗與連禱》(作品19第二首)為音樂會揭開序幕。
網上重溫至 27/08/2026