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Presenter：Stacey Rodda 盧廸思
The Culture Show has been making direct connections between art inspired by music and music inspired by art. Now it’s time for more - unexpected connections...The Culture Show is continuing its look at how the visual arts and music are so connected - sometimes directly, sometimes indirectly. We have unearthed a wealth of examples, yet we have so much more to explore. I hope that for those of you who join me for the music – much of which has never been, or is very seldom played on Radio 4 – you will also develop my passion for art. Join me, Stacey Rodda, Sunday nights at 7 pm for The Culture Show.
THE SURREALISTS AND BOSCH
Composer John Tavener and writer and art critic Edward Lucie-Smith’s collaboration on Three Surrealist Songs, takes us to more works by Magritte, Ernst and Dali with ‘religious themes’, but not associated with the texts: Magritte’s The Annunciation; Ernst’s Pieta; Dali’s Spiritus promptus est, caro vero infirma from the Biblia Sacra series.
To complete the programme one more ‘surrealist’ art work with a 'religious theme' - The Garden of Earthly Delights - the famous Hieronymus Bosch painting in which the Renaissance artist portrays, in a triptych, the innocence of the Garden of Eden, its corruption from Carnal Knowledge, and the retribution of Hell – a triptych full of dreamlike, bizarre visions that heavily inspired modern surrealists. It’s ‘accompanied’ by Michael Berkeley’s work of the same name.
Presenter：Stacey Rodda 盧廸思
THE SURREALISTS AND BOSCH
Composer John Tavener and writer and art critic Edward Lucie-Smith’s collaboration on Three Surrealist Songs, takes us to more works by Magritte, Ernst and Dali with ‘religious themes’, but not associated with the texts: Magritte’s The Annunciation; Ernst’s Pieta; Dali’s Spiritus promptus est, caro vero infirma from the Biblia Sacra series.
To complete the programme one more ‘surrealist’ art work with a 'religious theme' - The Garden of Earthly Delights - the famous Hieronymus Bosch painting in which the Renaissance artist portrays, in a triptych, the innocence of the Garden of Eden, its corruption from Carnal Knowledge, and the retribution of Hell – a triptych full of dreamlike, bizarre visions that heavily inspired modern surrealists. It’s ‘accompanied’ by Michael Berkeley’s work of the same name.
